glengarry glen ross script – Scripts on Screen https://scripts-onscreen.com Sun, 17 Jan 2016 19:22:41 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.2 https://scripts-onscreen.com/wp-content/uploads/2018/11/cropped-cropped-sos-logo-truesqr-32x32.png glengarry glen ross script – Scripts on Screen https://scripts-onscreen.com 32 32 154728564 Glengarry Glen Ross https://scripts-onscreen.com/movie/glengarry-glen-ross-script-links/ Sun, 29 Jan 2012 07:42:48 +0000 https://scripts-onscreen.com/movie/glengarry-glen-ross-script-links/
Glengarry Glen Ross poster thumbnail
Year:1992
Director:James Foley
Written by:David Mamet (Theatre Play), David Mamet (Screenplay)

Script Synopsis:When an office full of New York City real estate salesmen is given the news that all but the top two will be fired at the end of the week, the atmosphere begins to heat up. Shelley Levene, who has a sick daughter, does everything in his power to get better leads from his boss, John Williamson, but to no avail. When his coworker Dave Moss comes up with a plan to steal the leads, things get complicated for the tough-talking salesmen.
Glengarry Glen Ross Script Resources:

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*4118 ]]> 3851 Film Scripts Adapted from Stage Plays https://scripts-onscreen.com/film-scripts-adapte-from-stage-plays/ Fri, 16 Dec 2011 10:11:20 +0000 https://scripts-onscreen.com/?p=2510 A stage play is very difficult to convert into a film script and requires great finesse and understanding in order to pull it off. Stage plays are written, obviously, for the stage; and because of that, they are compromised in order to make use of stage space and other physical restrictions. Films, on the other hand, can make use of many different dimensions that are untouchable by stage performers; and would appear dry if they didn’t make use of that ability.

The most important thing a screenwriter must do when converting a play, is to understand two things. The first thing is the playwright’s intent. Although a playwright may have been happy with the original script, there is always something that he or she would’ve done differently if given freedom. Knowing that a film breaks many physical boundaries, the screenwriter must try to understand what the original playwright would’ve done given that much freedom.

In addition to the original playwright, screenwriters must cater to the perceived desires of the audience. There are going to be audience members who have seen the original play and have expected to get the same emotional reaction they got when watching the play. In addition, there will be a new group of people who have never seen the play, and expect something different. In this situation, a screenwriter must do his or her research and become part psychologist in addition to his writing job.

Below is a list of films that have been somewhat successful in translation from play script to screenplay.  By reading these along with the original plays, you will be able to understand how play translation is becoming an art form all of its own.

Scripts

  1. (1951) A Streetcar Named Desire ($)
  2. (1953) Kiss Me Kate [Transcript]
  3. (1955) Guys and Dolls [Transcript]
  4. (1957) 12 Angry Men Script
  5. (1961) A Raisin in the Sun [Transcript]
  6. (1964) My Fair Lady [Transcript]
  7. (1973) Jesus Christ Superstar [Transcript]
  8. (1984) Amadeus Script
  9. (1986) Little Shop of Horrors [Transcript]
  10. (1992) Glengarry Glen Ross [Transcript]
  11. (1996) Suburbia Script
  12. (2004) Alfie [Transcript]
  13. (2005) Rent Script
  14. (2007) Sweeney Todd [Transcript]
  15. (2008) Mama Mia [Transcript]


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