mama mia script – Scripts on Screen https://scripts-onscreen.com Thu, 04 Feb 2016 19:28:05 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.2 https://scripts-onscreen.com/wp-content/uploads/2018/11/cropped-cropped-sos-logo-truesqr-32x32.png mama mia script – Scripts on Screen https://scripts-onscreen.com 32 32 154728564 Mama Mia https://scripts-onscreen.com/movie/mama-mia-script-links/ Sun, 29 Jan 2012 07:43:19 +0000 https://scripts-onscreen.com/movie/mama-mia-script-links/
Mama Mia poster thumbnail
Year:2008
Director:Phyllida Lloyd
Written by:Catherine Johnson (Screenplay)

Script Synopsis:An independent, single mother who owns a small hotel on a Greek island is about to marry off the spirited young daughter she's raised alone. But, the daughter has secretly invited three of her mother's ex-lovers in the hopes of finding her biological father.
Mama Mia Script Resources:


Other Links:
*4257 ]]> 4093 Film Scripts Adapted from Stage Plays https://scripts-onscreen.com/film-scripts-adapte-from-stage-plays/ Fri, 16 Dec 2011 10:11:20 +0000 https://scripts-onscreen.com/?p=2510 A stage play is very difficult to convert into a film script and requires great finesse and understanding in order to pull it off. Stage plays are written, obviously, for the stage; and because of that, they are compromised in order to make use of stage space and other physical restrictions. Films, on the other hand, can make use of many different dimensions that are untouchable by stage performers; and would appear dry if they didn’t make use of that ability.

The most important thing a screenwriter must do when converting a play, is to understand two things. The first thing is the playwright’s intent. Although a playwright may have been happy with the original script, there is always something that he or she would’ve done differently if given freedom. Knowing that a film breaks many physical boundaries, the screenwriter must try to understand what the original playwright would’ve done given that much freedom.

In addition to the original playwright, screenwriters must cater to the perceived desires of the audience. There are going to be audience members who have seen the original play and have expected to get the same emotional reaction they got when watching the play. In addition, there will be a new group of people who have never seen the play, and expect something different. In this situation, a screenwriter must do his or her research and become part psychologist in addition to his writing job.

Below is a list of films that have been somewhat successful in translation from play script to screenplay.  By reading these along with the original plays, you will be able to understand how play translation is becoming an art form all of its own.

Scripts

  1. (1951) A Streetcar Named Desire ($)
  2. (1953) Kiss Me Kate [Transcript]
  3. (1955) Guys and Dolls [Transcript]
  4. (1957) 12 Angry Men Script
  5. (1961) A Raisin in the Sun [Transcript]
  6. (1964) My Fair Lady [Transcript]
  7. (1973) Jesus Christ Superstar [Transcript]
  8. (1984) Amadeus Script
  9. (1986) Little Shop of Horrors [Transcript]
  10. (1992) Glengarry Glen Ross [Transcript]
  11. (1996) Suburbia Script
  12. (2004) Alfie [Transcript]
  13. (2005) Rent Script
  14. (2007) Sweeney Todd [Transcript]
  15. (2008) Mama Mia [Transcript]


]]> 2510