Written by:Eric Roth (Screenplay), Frank Herbert (Novel), Denis Villeneuve (Screenplay), Jon Spaihts (Screenplay)
Script Synopsis:Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet's exclusive supply of the most precious resource in existence-a commodity capable of unlocking humanity's greatest potential-only those who can conquer their fear will survive.
Note: Multiple links are listed since (a) different versions exist and (b) many scripts posted become unavailable over time. Please notify me if you encounter a stale link.
Written by:Frank Herbert (Novel), David Lynch (Screenplay)
Script Synopsis:In the year 10,191, the world is at war for control of the desert planet Dune—the only place where the time-travel substance 'Spice' can be found. But when one leader gives up control, it's only so he can stage a coup with some unsavory characters.
Dune Script PDF - 5th Rev 8/27/82 at Script Fly ($)
Dune Script PDF - 12/9/83 7TH DRAFT at Script City ($)
Note: Multiple links are listed since (a) different versions exist and (b) many scripts posted become unavailable over time. Please notify me if you encounter a stale link.
David Lynch is one of the few directors who have been able to break the conventions of Hollywood and still manage to be successful. Since 1968, Lynch has created several films that aim to distort and manipulate the world in a way that confounds the audience- sometimes to the point of traumatization. Lynch’s films are often filled with symbolism and beautiful imagery that appear to be tied into each other to tell a story. However, the films are understated in a way that allows each audience member to come to their own conclusions, if any, about the film’s purpose.
Lynch’s films are hailed by critics and the mainstream audiences alike despite the fact that his films often are bizarre and disturbing. For instance, the film Blue Velvet (1986) is a journey into a psychotic love triangle that is fueled by perversity such as voyeurism, sadomasochism and a variety of other disturbing sexual qualities. However, Lynch’s films are not pornography nor should they be placed in the same category. Lynch explores many aspects of human experience from different perspectives than most mainstream audiences are used to seeing. Anyone interested in the film industry would do themselves a favor by viewing some of Lynch films.
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