Author: Margaret C. Waggoner

Mel Brooks Scripts

Dracula, Star Wars, Robin Hood, Alfred Hitchcock, Frankenstein… is there any movie that Mel Brooks hasn’t made fun of?

Since his directing career started in 1968, Brooks has consistently come out with hilarious films poking fun at some of the classic films of his lifetime. With his first spoof film, Blazing Saddles (1974), Brooks perfected a genre that had only been dabbled in by other directors. In the film, he pointed fun at racism, sexuality and gender stereotypes in a way that made taboo subjects seem more human. With his next film, Young Frankenstein (1974), Brooks solidified his image of the Spoof King of Comedy and continued fighting for his crown for years to come.

While Brooks continues to have a heavy cult following of people who adore his sense of humor, his popularity with mainstream audiences has been steadily decreasing since he came out with Robin Hood: Men in Tights (1993). However, this is not due to a lower quality of work on Brooks’ part, but could be influenced by the fact that Brooks has continued to have his unique sense of humor in a world that is ever-changing. Brooks has not changed his style- he continuously makes films that carry the signature traits of his dynamic comedic style which is seen in copycat filmmakers such as the creators of Scary Movie, Epic Movie and the rest of the franchise.

The timing and easy flow of Brooks’ scripts show the mastery that Brooks had of his subject. He was able to dig beneath the surface and create humor about stories that were heavy with sadness and drama. That talent has made him an icon to many people today and surely will lead to a greater appreciation of spoof films in the future.

  Filmography (As Director)

(1995) Dracula: Dead and Loving It

(1993) Robin Hood: Men in Tights Script [Transcript]

(1991) Life Stinks Script [Transcript]

(1987) Spaceballs Script [Transcript]

(1981) History of the World: Part I

(1977) High Anxiety Script [Transcript]

(1976) Silent Movie

(1974) Young Frankenstein Script

(1974) Blazing Saddles Script [Subscription Required]

(1970) The Twelve Chairs

(1968) The Producers Script

 

Jerry Lewis Scripts

Some think he is annoying while others think he is genius. No matter what people think about him, Jerry Lewis has always been a prominent figure in the limelight, with his outlandish physical comedy and overdramatic acting style. Lewis has had a consistent history in film; starting with his first major film in 1949 to his most recent movie this year. As an actor, Lewis was able to recreate himself so his comedy style would be fresh for new audiences. It is no wonder why he is called the King of Comedy.

As a director, Lewis also broke fresh ground in the use of new technology such as the video-assist device which is commonly used by many directors today. He is considered the master of the one-take, meaning that he would only shoot a scene once, while other directors would take a few takes to ensure that the best picture was made.

In addition to his directorial and acting prowess, Lewis also has dabbled successfully in other areas such as songwriting, book writing and singing. In all areas, Lewis maintained a strong audience and was able to build up quite a large following over the years. Any film director or actor would benefit from watching one of Jerry Lewis’ many films.

 

 

 

Filmography

The Day The Clown Cried Script [Unmade]

Max Rose Script (pre-production)

(2009) Curious George 2: Follow that Monkey Script

(1995) Funny Bones Script [Transcript]

(1993)  Arizona Dream Script [Transcript]

(1992) Mr. Saturday Night

(1989) Cookie

(1984)How Did You Get In? We Didn’t See You Leave. [Foreign]

(1984) To Catch A Cop

(1983) Cracking Up

(1982) The King of Comedy Script

(1982) Slapstick of Another Kind

(1980) Hardly Working

(1970) Which Way to the Front?

(1969) Hook, Line and Sinker

(1968) Don’t Raise the Bridge, Lower the River

(1967) The Big Mouth

(1966) Way… Way Out Script

(1966) Three On a Couch

(1965) Boeing Boeing Script [Play Version]

(1965) The Family Jewels

(1964) The Disorderly Orderly

(1964) The Patsy

(1963) Who’s Minding the Store?

(1963) The Nutty Professor Script

(1962) It’$ Only Money

(1961) The Errand Boy

(1961) The Ladies’ Man

(1960) Cinderfella

(1960) The Bellboy

(1960) Visit to a Small Planet Script [Purchase]

(1959) Don’t Give Up the Ship

(1958) The Geisha Boy

(1958) Rock-a-bye Baby

(1957) The Sad Sack Script [Purchase]

(1957) The Delicate Delinquent

(1956) Hollywood or Bust

(1956) Pardners

(1955) Artists and Models

(1955) You’re Never Too Young

(1954) 3 Ring Circus

(1954) Livin’ it Up

(1953) Money From Home

(1953) The Caddy

(1953) Scared Stiff Script [For Purchase]

(1952) The Stooge

(1952) Jumping Jacks

(1952) Sailor Beware

(1951) That’s My Boy

(1950) At War with the Army

(1950) My Friend Irma Goes West

(1949) My Friend Irma

Vincent Gallo Scripts

Dynamic and highly controversial, Vincent Gallo has consistently drawn attention to himself whether he is walking down the street or acting in a film. This actor/director/avant-garde artist has always pushed the envelope in pursuit of a reaction.

As a young man, Gallo used to do street performances that bordered on a sociological experiment. He would perform random stunts that would shock and confuse people who were not aware that he was performing.  Even as a 49 year old, Gallo has not lost his taste for shocking people, seeing as he advertises his sexual services on his website’s merchandise section (www.vincentgallo.com).

It’s obvious to say that Gallo has never been a courtier of the masses. As a director, Gallo has defied conventional methods of film-making by using small crews and acting without the help of a producer or production company.

In his most famous film to date, Buffalo ’66 (1998), Gallo challenged the traditional rules of film making by breaking continuity, sound and the fourth wall in order to fit his artistic vision. The result was a cinematic masterpiece that is acclaimed by critics and moviegoers alike. As far as screenwriting goes, Gallo creates witty dialogue that is personable and relates an audience to misfits that would otherwise be considered despicable.

In all aspects of his work, Gallo presents an avant garde look at creating films that will provide generations to come with a foundation for creativity.

Director

Actor

 

More scripts to come when listed!