Script Synopsis:Rational, exacting, and self-controlled theater director, Henrik Vogler, often stays after rehearsal to think and plan. On this day, Anna comes back, ostensibly looking for a bracelet. She is the lead in his new production of Stindberg's "A Dream Play." She talks of her hatred for her mother, now dead, an alcoholic actress, who was Vogler's star and lover. Vogler falls into a reverie, remembering a day Anna's mother, Rakel, late in life, came after rehearsal to beg him to come to her apartment. He awakes and Anna reveals the reason she has returned: she jolts him into an emotional response, rare for him, and the feelings of a young woman and an older man play out.
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A few directors have exerted so much influence on cinema as Ingmar Bergman, described by Woody Allen as the greatest film artist since the invention of motion picture camera. During his remarkable career spanning over some five decades, he wrote and directed such masterpieces as The Seventh Seal (1957), The Winter Light (1963), Wild Strawberries (1957), The Silence (1962), Persona (1966), Through the Glass Darkly (1961) and Fanny and Alexander (1982). He mostly explored the existentialist themes of anxiety, death, faith and insanity in his films. Other than cinema, he was also an active and productive director in theater. The stress that he laid upon the characters in his films and the efficient presentation of the feelings behind them is virtually unmatched. His scripts discuss the characters and their innermost fears, hopes and desires in great details.
Three of Ingmar Bergman’s films (The Virgin Spring, Through the Glass Darkly and Fanny and Alexander) won Academy Awards for Best Foreign Language Film. He was nominated for ten more Oscars in the categories of Best Original Screenplay, Best Director and Best Picture. In 1971, he was also awarded the prestigious Irving G. Thalberg Memorial Award at the Academy Awards. Bergman has exerted wide influence on directors throughout the world, including the noteworthy Hollywood directors such as Woody Allen, Francis Ford Coppola, Stanley Kubrick and Martin Scorsese. Ingmar Bergman mostly wrote his own screenplays, after in depth analysis and months of retrospection. The English titles of Ingmar Bergman Films, with links to scripts where we found them:
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